http://www.mormonnewsroom.org/media/960x540/Richard-Pam-Norby-1.jpg
When married one year, Hilda Erickson and her husband
John were called on a mission to the Goshute natives southwest of Salt Lake
City in 1883. Even though she didn’t ask for it, what did she eventually become
to the natives?
a.
Doctor and
dentist
b.
Chief
c.
Medicine woman
d.
Indian agent
Yesterday’s
answer:
C 8
From the life of Alexander Schreiner: [Brother Schreiner], organist of the
Tabernacle, Salt Lake City, Utah, was born July 31, 1901 in Nuremberg, Germany,
the son of Johann Christian and Margarethe Schwemmer Schreiner. His parents
joined the Church in 1903 and soon thereafter offered their home to the branch
for regular sacrament services, Sunday school and choir rehearsals. This
afforded their son opportunity to hear much church music at an early age. When
only five years old, at a Christmas program, he played in public for the first
time. He was baptized at the age of eight, at which time he was also appointed
organist for the Nuremberg branch of the Church. His regular duties consisted
of playing for Sunday school, Sacramental meeting, choir rehearsal and the
mid-week Bible hour. At this time he was studying piano with Herr Karl Anders
and violin with Herr Stengel.
In 1912 he left Germany with his parents and settled
in Salt Lake City. He was immediately appointed organist for the German
meetings, and, soon thereafter, organist in the Cannon Ward. His musical
studies in piano, harmony and organ were continued under the tutelage of John
J. McClellan, who recognized the talent of this eleven-year-old boy and who at
that early date predicted a brilliant future for him.
At the age of sixteen, Alexander Schreiner was engaged
to play the large organ at the American Theater, then the most important
play-house in Salt Lake City. By the time he finished high school he was
offered a similar position in Butte, Montana, and, following this, he did
theater work in Portland, Oregon, and in Los Angeles, California. At the age of
twenty he played his first recitals on the Tabernacle organ at the invitation
of the regular organists.
In 1921 he left for a mission in California. His fame
was then already established, for during his first year of missionary work
eight different organist’s position were offered him, greatly to the pride and
astonishment of his missionary companions. Of course none of these positions
could be accepted at that time. However, he played a number of concert
engagements, dedicating new church organs, one of which was the large organ in
Angeles Temple, Los Angeles. During the last part of his mission he presided
over the Los Angeles Conference, in which thirty-five missionaries were
laboring. He was released in March, 1924.
Upon his return to Salt Lake City, he was immediately
appointed one of the organists at the Tabernacle. In September, 1924, he left
for Europe, and for two years in Paris he studied harmony and counterpoint with
Henri Libert, and organ with Charles Marie Widor and Louis Vierne, the latter
organist at Notre Dame Cathedral. He was invited frequently to play various
important organs, and thus had good opportunity to study their design and
construction.
In 1927 he married Margaret Lyman, daughter of Dr. and
Mrs. Richard R. Lyman, who was born Sept. 15, 1903. Two children have been born
to this union, namely, Richard Lyman Schreiner in 1931 and John Christian
Schreiner in 1933.
In 1930, when the University of California at Los
Angeles was presented with the beautiful Mudd Memorial organ, Mr. Schreiner was
invited to play the first 25 recitals. This was to be followed by other series
of recitals by other organists in order that the University authorities might
have some basis of judgment on which to make a final selection for the
permanent position. After Mr. Schreiner had played his first six recitals, his
success was so outstanding that the contracts with the other organist (who were
to try out) were all cancelled and he was appointed University organist with
the consent of the First Presidency of the Church, who gave him a yearly leave
of absence for nine months. He continues to spend his summers at the
Tabernacle, where he plays national radiobroadcasts and noon recitals. At the
University of California at Los Angeles, in addition to his duties as organist,
he is a member of the faculty as lecturer in music.
For five years he was organist at the First Methodist
Church of Los Angeles, the largest Methodist Church in the world. He assisted
John McCormack in the making of one of his motion pictures at the Fox Studio.
He had played dedicatory recitals at Barker Brothers in Los Angeles, and in
Riverside, San Bernardino, Fullerton, Phoenix and other cities.
During the summer of 1936 the “Deseret News” presented
him in a series of special Bach, Franck and Wagner programs at five p.m. in the
Tabernacle. These recitals were enthusiastically received by large audiences.
Mr. Schreiner is intensely interested in devising
plans for the improvement of musical equipment in the chapels of the Church. He
feels that a pipe organ is a most desirable adjunct to a church edifice, and
that nothing of equal cost can inspire and lead to lofty thoughts as does the
music for a church organ. In 1936 he wrote for ward and Sunday school organists
a book of devotional music entitled “Schreiner’s Organ Voluntaries.”
Andrew Jenson, L.D.S.
Biographical Encyclopedia, (Salt Lake City, Andrew Jensen Memorial
Association, 1936), 4: 164-166.
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